A literary analysis of ode to the west wind and lines composed a few miles above tintern abbey

British and German Romanticism: Revolutionary art, counterrevolutionary politics The Romantic Movement has become part of our cultural consciousness to such a degree that its assumptions regarding the centrality of the individual, its elegiac idealization of the pastoral, and its belief in human spirituality that could not be understood with pure rationality have become associated with the essence of art itself.

A literary analysis of ode to the west wind and lines composed a few miles above tintern abbey

Get in Touch with Us

Five years have past; five summers, with the length Of five long winters! The day is come when I again repose Here, under this dark sycamore, and view 10 These plots of cottage-ground, these orchard-tufts, Which, at this season, with their unripe fruits, Among the woods and copses lose themselves, Nor, with their green and simple hue, disturb The wild green landscape.

Once again I see These hedge-rows, hardly hedge-rows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreathes of smoke Sent up, in silence, from among the trees, With some uncertain notice, as might seem, 20 Of vagrant dwellers in the houseless woods, Or of some hermit's cave, where by his fire The hermit sits alone.

These forms of beauty have not been to me, As is a landscape to a blind man's eye: But oft, in lonely rooms, and mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart, And passing even into my purer mind 30 Of unremembered pleasure; such, perhaps, As may have had no trivial influence On that best portion of a good man's life; His little, nameless, unremembered acts Of kindness and of love.

Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight 40 Of all this unintelligible world Is lighten'd: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.

Thou wanderer through the wood How often has my spirit turned to thee! And now, with gleams of half-extinguish'd though[t,] With many recognitions dim and faint, 60 And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.

And so I dare to hope Though changed, no doubt, from what I was, when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, 70 Wherever nature led; more like a man Flying from something that he dreads, than one Who sought the thing he loved.

For nature then The coarser pleasures of my boyish days, And their glad animal movements all gone by, To me was all in all. The sounding cataract Haunted me like a passion: Not for this Faint I, nor mourn nor murmur; other gifts Have followed, for such loss, I would believe, Abundant recompence.

For I have learned To look on nature, not as in the hour 90 Of thoughtless youth, but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.

And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean, and the living air, And the blue sky, and in the mind of man, A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.

Nor, perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me, here, upon the banks Of this fair river; thou, my dearest Friend, My dear, dear Friend, and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.

And this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: Nor, perchance, If I should be, where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence, wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came, Unwearied in that service: Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake.William Wordsworth, “Lines Composed a Few Miles above Tintern Abbey,” “Selections from The Prelude (, , and ), “Three Years She Grew,” “A Slumber Did My Spirit Seal,” “Resolution and Independence,” “It is a Beauteous Evening,” “London, ,” “Composed upon Westminster Bridge,” “My Heart Leaps Up.

Above Tintern Abbey was composed 2 The Prelude contains a record of his practice, after the opening lines of the first book " Thus far, 0 friend! did I, not used to make A . „Lines Composed a Few Miles above Tintern Abbey‟(by Wordsworth) and „Ode to the West Wind‟ (by Shelley).

is the sheer visual impact of a written text accompanied by often apocalyptic illustrations.

A literary analysis of ode to the west wind and lines composed a few miles above tintern abbey

biographical information is offered since the Norton Anthology provides excellent introductions to . Living Literature: An Introduction to Fiction, Poetry, Drama. PreK–12 Education; Higher Education; From Ode to the West Wind. Anonymous, From Bonny Barbara Allan.

Free verse. Walt Whitman, When I heard the Learn’d Astronomer Lines Composted a Few Miles Above Tintern Abbey. Composed upon Westminster Bridge, September 3, It. Feb 04,  · William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, ” and Mary Shelley’s Frankenstein foreground the theme of travel.

Related Papers

That the two texts are linked is a fact: Shelley quotes Wordsworth. Literary elements of analysis. What questions to ask when we analyze literature? How to annotate a text? “Lines Composed a Few Miles above Tintern Abbey” “Ode to the West Wind”

Roberts & Jacobs, Literature: An Introduction to Reading and Writing | Pearson